Collateral

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(action, crime, drama, thriller)
Max has lived a mundane life as a cab driver for twelve years. The faces have come and gone from his rear-view mirror: people and places he's long since forgotten—until tonight. Vincent is a contract killer. When an off-shore narco-trafficking cartel learns that they're about to be indicted by a federal grand jury, they mount an operation to identify and kill the key witness, and the last stage is tonight. It is on this very night that Vincent has arrived—and five bodies are supposed to fall. Circumstances cause Vincent to hijack Max' taxicab, and Max becomes collateral—an expendable person who's in the wrong place at the wrong time. Through the night, Vincent forces Max to drive him to each assigned destination. And as the L.A.P.D. and F.B.I. race to intercept them, Max and Vincent's survival become dependent on each other, in ways neither would have imagined.

actors:

Tom Cruise	as Vincent
Jamie Foxx	as Max
Jada Pinkett Smith	as Annie
Mark Ruffalo	as Fanning
Peter Berg	as Richard Weidner
Bruce McGill	as Pedrosa
Irma P. Hall	as Ida
Barry Shabaka Henley	as Daniel
Richard T. Jones	as Traffic Cop #1
Klea Scott	as Fed #1
Bodhi Elfman	as Young Professional Man
Debi Mazar	as Young Professional Woman
Javier Bardem	as Felix
Emilio Rivera	as Paco
Jamie McBride	as Traffic Cop #2

directors:
Michael Mann
rating:7.70

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Excess scenes used in the subway and cat and mouse in a high office building
and comparatively minor flaws in what is otherwise a superb thriller
director Michael Mann (who also made the evocative 'Heat').
The history revolves around a taxi driver who is pulled into the tangled web of a murderer
trained, much against his will. This is a shot on DVD
allowing Mann to produce very rich colors at night - not as
garish or washing colors are often what you get with
celluloid night shoots. It helps produce a visually succulent
but also very affectionately portrayed Los Angeles. The scene in the Jazz
club is so convincing that truly feel Miles Davis was there - and
subtext about jazz as a metaphor for life is one of the jewels in what is usually a
screenplay tight (about the structure - but the important thing
spontaneous melody that is behind the melody * *). But
the impact is inexcusable Tom Cruise, playing one of his memorable characters
since his cameo in Magnolia. His performance is so convincing
- which could be a model for such a bad guy.
Michael Mann directed the successful 'The Insider', 'Manhunt', and
'Miami Vice' TV series. Tom Cruise in the work of 'Magnolia', '
Minority Report' and 'Vanilla Sky' shows his interest in extending its act
experiences. No wonder, then, his "Collateral" can be placed next to
'Manchurian Candidate' and 'Bourne Supremacy "to the best of the 2004 thriller
career.

'Collateral' is the slick and delicate as you'd expect from director Mann, whose
Hannibal Lecter 'Manhunt', with great acting by William < br> Petersen and Brian Cox, is a classic police serial-killer/disturbed
gender. In 'Collateral' Mann has a special interest in character development with
Cruise plays a hired murderer gray hair and Jamie Foxx
a hapless, but human THE Cabbio force hired to chauffeur Cruises < br> in a string of successes in the course of a night. Cruise is barely cold and
vulnerable as the night moves; Foxx slowly learns to grow
of proof, including the search for potential love of a fee before
Cruise. As unlikely as it may seem, the two are my candidates for the best
teammate year, far more intelligent and more fun that
Ben Stiller and Owen Wilson in "Starsky and Hutch ' ;.

Part of the insightful screenplay by Stuart Beattie ( "Pirates of the Caribbean
) is the interaction that allows Cruise's Vincent useful
evaluate Max (Foxx) to the aspirations run a limousine company when
has been in preparation for a dozen years useless. Similarly, Max
Vincent leads into a discussion of the meaning of life, specifically the
insignificance of human life, a subject of some interest to a man beaten.
Language is tense and minimalist, just right for a night of
clandestine contract murder. When Max comments on one of the successes,
"Only once met with him and killed him like that?" Vincent replies,
'What? I only kill people after getting to know them. " The Bard
also made a killing when reading and writing its theme Hamlet said, 'For the murder, despite
who have no tongue, will speak / With most miraculous organ & # 39;. The
film is not miraculous, but spoke engagingly.

One of the victims means the two drivers in a jazz club, where Vincent
shows his great knowledge of music and his heartlessness
victim. The sequence underscores Vincent of the attraction to improvisation, which
a night accident highlights. Nice reason.

Just as Sophia Coppola did Tokyo looks like a brilliant in nursing home
'Lost in Translation', Mann transforms the noirish LA in a neon nirvana with
aerial shots that soften the ragged,
undistinguished architecture. The city never expected this good at night from a helicopter
.

not Collateral damage to his brain to see this modern black cinema.

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See also: Action: Feast

See also: Tom Cruise in Top Gun

Tags: Download Movie Collateral, Download Film Collateral, Instant Movie Download Collateral, Collateral DivX Download
Download mp3 tracks:
1. Negligent Collateral Collapse
2. Contrastic - Czech Assault (Split With Imperial Foeticide and Negligent Collateral Collapse and Intervalle Bizzare and Fleshless)
3. Graveworm - Collateral Defect
4. Imperial Foeticide - Czech Assault (Split With Negligent Collateral Collapse and Contrastic and Intervalle Bizzare and Fleshless)
5. Intervalle Bizzare - Czech Assault (Split With Imperial Foeticide and Negligent Collateral Collapse and Contrastic and Fleshless)
6. Aghast View - Vapor Eyes - Collateral Effects
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