Download Crash
(drama, thriller)
Since a road accident left him with serious facial and bodily scarring, a former 'TV scientist' has become obsessed by the marriage of motor car technology with what he sees as the 'raw sexuality' of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes who they contort into the shape of trapped-corpses. Ultimately, the scientist craves a suicidal union of blood, semen and engine coolant, a union with which he becomes dangerously obsessed.
actors:
| James Spader | as James Ballard |
| Holly Hunter | as Helen Remington |
| Elias Koteas | as Vaughan |
| Deborah Kara Unger | as Catherine Ballard |
| Rosanna Arquette | as Gabrielle |
| Peter MacNeill | as Colin Seagrave |
| Yolande Julian | as Airport Hooker |
| Cheryl Swarts | as Vera Seagrave |
| Judah Katz | as Salesman |
| Nicky Guadagni | as Tattooist |
| Ronn Sarosiak | as A.D. |
| Boyd Banks | as Grip |
| Markus Parilo | as Man in Hanger |
| Alice Poon | as Camera Girl |
| John Stoneham Jr. | as Trask |
David Cronenberg
rating:5.90
"Crash" is a complex film with a simple premise: set in Los Angeles, continues
8 main characters (and many, many more supporting) from all
of life and races whose lives intersect at some point during a
Period 24 hours. These people are all different but all alienated,
to the breaking point, so much so that when they get together, things
explode.
The complexity of the film comes from
encounters between characters and their tangled lives and worlds. Haggis' screenplay is as intricate and delicately written
I could not begin to try to summarize the actual
plot line (which this article intended to be kind of vague) but
around the world meets everyone else at some point in the film (and there is a
large number of characters). Enough to say these meetings are of various forms
intense, casual, fleeting, dangerous, but all intents and purposes
participants in profound and provocative ways, causing the life to find
lighting or swerve violently, and seeing that all are deployed
mesmerizing because Paul Haggis (Oscar Nominated Writer
Million Dollar Baby) made the film with meat disorderly
themes and characters and stories to chew and hurtle along with.
The broad theme of the movie is racism, and is treated with
bluntly, honestly and without reservation. Each character
involved in perpetuating the cycle of ugly, but also
suffers because of it. Where racism becomes a subject interesting enough to
provoking and a fairly experimental film (I was surprised to see
reach this wide release), is only the catalyst for a deeper, < br> resounding story of redemption and the universality of our loneliness
situation that the film becomes in its second hour (which might call
Act II). It changes a little depressing
merger of contemplative moments on racism in everyday life and how destructive
is a vibrant, strong network of choices and consequences
- life and death, death or life-giving soul - and
chance of redemption.
After their actions in Act I, everyone responds to a fork in the road or
is given a second chance of some sort. Some take it, others do not, but
independently by the end of the film around the world has changed. This is what gives wings
the film during its second hour, makes it interesting,
keeps you guessing and knife's edge. It also gives the characters
depth and souls and shows that despite perceived and defended
differences when it comes down to which we are not different (what we see on a stage
shattering between Ryan Philippe and Larenz Tate after Tate
notices that he and Philippe have the same statue of St. Kitts),
fact that desperately need each other. It is one of the few movies I've seen
that everyone is guilty in some way, and yet there are no villains.
I hope that, especially with something as ugly as racism:
all fallible, but everyone has the capacity for good and
nobility. That said, each of these characters makes the infighting
for all conflicts and resolution you need.
a talented set drives the film, sharing
almost equal amount of screen time, but people who really stood out and took my full attention whenever
were Terrence Howard (played a director of television), Matt Dillon
(as a police patrol), Sandra Bullock (a rich housewife), Don Cheadle
(a detective), and Michael Peña (locksmith). These five gave
deeply, deeply felt performances representing a wide range of emotions
and personal situations, giving souls - alone, yearning and searching
in a world that does not seem to care - to Shells of imperfect people.
But the actors triumph in times of little human contact: a look, a hug
, a pause, a smile, a wince, things that the film encouragement to life with simple visual
and give depth.
This is beautifully illustrated in a small scene between the downward spiral
Jean (Sandra Bullock) and cleaning after the begun to realize all their
problems can not be about two Jack black boys his car, but
his own life.
few notes of closure: it is obvious that this is a debut. Sometimes
dialogue and acting can be Stilt and unnatural; some of the initials "racial"
situations seem forced; certain scenes could have used some editing or
fine-tuning, but in the end I did not care. It may also be useful for
know that the first hour spends its time setting everything to
Act II, although it seems more like a photo essay on racism that
configuration. But for the moment that ends Act I is ready for something substantial
happen, and when perfect, something happens. I was
we are totally satisfied with this movie, I could not have asked for anything more
. Still is impressive, Haggis made his debut with a film that
magically story maintains a balancing act on people's lives
that almost perfectly flows, takes an honest look at racism,
with an understanding of humanity, a belief in redemption, and even hope. As I
withdrew from the theater in the rainy night that resonated with me and my thoughts
color as I made my way through the crowds of unknown origin
fellow people filling the cinema. That's about all I can ask a
film.
In a drama reminiscent markedly in style and tone of the film
PT Anderson's Magnolia (1999), the narrative shifts in Crash between 5 or 6
different groups of seemingly disconnected characters, whose
Relationships with each other, only revealed at the end.
Not to be confused with the role of David Cronenberg with the same name,
Crash this is the feature film, study published
directorial debut of TV veteran Canadian writer / producer / director and two Sometimes Emmy winner -
Paul Haggis. At a deeper exploration on the themes of racism and prejudice
, cause and effect, and random chance, and tragedy,
"accident" is a metaphor of collisions between strangers in the
Course of everyday existence. Set over a 24-hour period in contemporary LA
, is a social commentary on interconnection
of life in the big city.
Crash has a first-class cast package that includes:
Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, Brendan Fraser,
Chris "Ludacris" Bridges, Loretta Devine , Thandie Newton, Ryan Phillipe
and Larenz Tate. All put in superb performances on strict
script that is both gritty, heart, surprising, amusing and tragic, and that
will ring true with viewers of all demographic groups.
disturbing Centering around two car accidents, a carjacking, vicious
workplace vandalism, and the suspicious shooting death of a policeman
by another official, the drama is as part of a racist LAPD
Los Angeles and justice system. Action shifts between different
characters whose lives collide with each other in unpredictable ways
as each faces its own moral dilemma, and tries to cope with the
consequences resulting from his decision or action taken . Each of the
dozen main characters undergo some sort of personal metamorphosis
various story lines as the head toward a surprising conclusion
common, what happens at once disturbing and cathartic.
Crash is backed by a solid and varied, original and banda sonora
excellent cinematography. Barr, generally alternate with shots
disjointed camera angles to convey the chaos and confusion of
characters and the unpredictability of life. Occasional persistent
close-ups - sometimes without sound - capture the actors' facial expressions
, which conveniently detail key moments of the characters "
aching pain, fear, anger, bitter anguish, pain or remorse,
much better than any dialogue.
This impressive film is destined to be a critical and box office smash
affected. Five stars.
Download Crash
See also: Drama: Catch Me If You Can
See also: James Spader in Stargate
Tags: Download Movie Crash, Download Film Crash, Instant Movie Download Crash, Crash DivX Download
Download mp3 tracks:
1. A Crash
2. Andreas Kremer Vs. A. Crash
3. Blueprint Car Crash
4. Crash Test Dummies
5. Tango Crash
6. Cerebral Turbulency - Crash Test
Download ringtones:
Download Ringtone A Crash here
Download Ringtone Andreas Kremer Vs. A. Crash here
Download Ringtone Blueprint Car Crash here
Download Ringtone Crash Test Dummies here
Download Ringtone Tango Crash here
Download Ringtone Cerebral Turbulency here
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